So it proved; for in the morning I found my friend standing on the hearthrug with his back to the fire and a smile of complete satisfaction upon his face.

“How’s this, Watson?” he cried, picking up the paper from the table. “‘High red house with white stone facings. Third floor. Second window left. After dusk. G.’ That is definite enough. I think after breakfast we must make a little reconnaissance of Mrs. Warren’s neighbourhood. Ah, Mrs. Warren! what news do you bring us this morning?”

Our client had suddenly burst into the room with an explosive energy which told of some new and momentous development.

“It’s a police matter, Mr. Holmes!” she cried. “I’ll have no more of it! He shall pack out of there with his baggage. I would have gone straight up and told him so, only I thought it was but fair to you to take your opinion first. But I’m at the end of my patience, and when it comes to knocking my old man about ”

“Knocking Mr. Warren about?”

“Using him roughly, anyway.”

“But who used him roughly?”

“Ah! that’s what we want to know! It was this morning, sir. Mr. Warren is a timekeeper at Morton and Waylight’s, in Tottenham Court Road. He has to be out of the house before seven. Well, this morning morning he had not gone ten paces down the road when two men came up behind him, threw a coat over his head, and bundled him into a cab that was beside the curb. They drove him an hour, and then opened the door and shot him out. He lay in the roadway so shaken in his wits that he never saw what became of the cab. When he picked himself up he found he was on Hampstead Heath; so he took a bus home, and there he lies now on the sofa, while I came straight round to tell you what had happened.”

“Most interesting,” said Holmes. “Did he observe the appearance of these men — did he hear them talk?”

“No; he is clean dazed. He just knows that he was lifted up as if by magic and dropped as if by magic. Two at least were in it, and maybe three.”

“And you connect this attack with your lodger?”

“Well, we’ve lived there fifteen years and no such happenings ever came before. I’ve had enough of him. Money’s not everything. I’ll have him out of my house before the day is done.”

“Wait a bit, Mrs. Warren. Do nothing rash. I begin to think that this affair may be very much more important than appeared at first sight. It is clear now that some danger is threatening your lodger. It is equally clear that his enemies, lying in wait for him near your door, mistook your husband for him in the foggy morning light. On discovering their mistake they released him. What they would have done had it not been a mistake, we can only conjecture.”

“Well, what am I to do, Mr. Holmes?”

“I have a great fancy to see this lodger of yours, Mrs. Warren.”

“I don’t see how that is to be managed, unless you break in the door. I always hear him unlock it as I go down the stair after I leave the tray.”

The miners’ cottages, blackened, stood flush on the pavement, with that intimacy and smallness of colliers’ dwellings over a hundred years old. They lined all the way. The road had become a street, and as you sank, you forgot instantly the open, rolling country where the castles and big houses still dominated, but like ghosts. Now you were just above the tangle of naked railway–lines, and foundries and other ‘works’ rose about you, so big you were only aware of walls. And iron clanked with a huge reverberating clank, and huge lorries shook the earth, and whistles screamed.

Yet again, once you had got right down and into the twisted and crooked heart of the town, behind the church, you were in the world of two centuries ago, in the crooked streets where the Chatterley Arms stood, and the old pharmacy, streets which used to lead Out to the wild open world of the castles and stately couchant houses.

But at the corner a policeman held up his hand as three lorries loaded with iron rolled past, shaking the poor old church. And not till the lorries were past could he salute her ladyship.

So it was. Upon the old crooked burgess streets hordes of oldish blackened miners’ dwellings crowded, lining the roads out. And immediately after these came the newer, pinker rows of rather larger houses, plastering the valley: the homes of more modern workmen. And beyond that again, in the wide rolling regions of the castles, smoke waved against steam, and patch after patch of raw reddish brick showed the newer mining settlements, sometimes in the hollows, sometimes gruesomely ugly along the sky–line of the slopes. And between, in between, were the tattered remnants of the old coaching and cottage England, even the England of Robin Hood, where the miners prowled with the dismalness of suppressed sporting instincts, when they were not at work.

England, my England! But which is MY England? The stately homes of England make good photographs, and create the illusion of a connexion with the Elizabethans. The handsome old halls are there, from the days of Good Queen Anne and Tom Jones. But smuts fall and blacken on the drab stucco, that has long ceased to be golden. And one by one, like the stately homes, they were abandoned. Now they are being pulled down. As for the cottages of England—there they are—great plasterings of brick dwellings on the hopeless countryside.

‘Now they are pulling down the stately homes, the Georgian halls are going. Fritchley, a perfect old Georgian mansion, was even now, as Connie passed in the car, being demolished. It was in perfect repair: till the war the Weatherleys had lived in style there. But now it was too big, too expensive, and the country had become too uncongenial. The gentry were departing to pleasanter places, where they could spend their money without having to see how it was made.’

This is history. One England blots out another. The mines had made the halls wealthy. Now they were blotting them out, as they had already blotted out the cottages. The industrial England blots out the agricultural England. One meaning blots out another. The new England blots out the old England. And the continuity is not Organic, but mechanical.